Terminator and the Matrix Essay Example

Terminator and the Matrix Essay Example Terminator and the Matrix Essay Terminator and the Matrix Essay The dictionary term for stereotyping is a fixed image or idea of a type of person or thing that is widely held. Stereotyping was very popular towards women before the 1980s. This was called sexism. Women were treated very badly for instance there was talk of a glass ceiling, this was a term used to describe how women were prevented to reach top positions. Stereotyping can be used in a number of ways. One way was in films, such as Legally Blond and Miss Congeniality. The act of stereotyping in the film Legally Blond is when a woman is portrayed as a Barbie doll. Then takes advantage of her looks and uses it to get what she wants. Soon after she was finally, respected or her brain than her choice of style. However Miss Congeniality is known for a different and unexpected type of stereotyping. This time the main character was shown quite manly. Subsequently she went through a process of becoming very feminine. Those films prove that it might be difficult but woman can do practically anything that men can do. In both films the Terminator and the Matrix stereotyping has been used frequently and very blatantly. For instance in the film Terminator, Sarah Connor is represented as a typical girlish woman. This is revealed the audience when her only outfits are mostly pink. In contrast to Sarah, Trinity has been represented stereotypically as well, however in the complete opposite of Sarah Connor. For example she has been shown very manly and heroic, this through the CGI which makes trinity perform special powers. Also the choice of Trinitys name is ironic because it is quite feminine, which would be given to someone who is very womanly. Whereas at the, beginning of the film Trinity comes across as a dark and mysterious person. This is given away in different aspects of he the film such as in the intro the soundtrack is very tense and wiry. The director also made the music fast and high tuned during the chase scene between Trinity and Mr Smith. This emphasises the fact that there is action going on. The effect of this can let the viewers really feel and imagine what Trinity is thinking and doing. Following a different area of the film the lighting reveals a lot about Trinitys personality. When introducing the film it is very dark and spooky with a few spot lights from the policemens torches. This achieves the introduction of Trinity to be very dark and tense. It also gives the setting a very scary atmosphere; this edges the reader to anticipate what, might happen next. The lighting, as well, is very dim in the first shot of her. This shows Trinity to be androgynous; it creates a sense of mystery to what sex she is. And as it changes to a close up shot of Trinity confirms that she is a woman. It also reveals in that scene that she is calm and in control, even though there was many police men with guns right behind her. However she still seems to be androgynous through her choice of costume and make up. For instance in a shot of Trinity she is wearing a P.V.C, black cat suit which represents her strength and power. This is also expressed from the bold, strong colour of her black clothes. Even when she goes out, other than wearing a dress, she still dresses down by wearing the same colours and no jewellery. This gives the audience an impression of how mature, independent and strong she is. She is, coincidently as the men around her, this shows the director wanted to present that Trinity is no different to any one else. Her natural use of make-up portrays her as a man, such as the way she always has her hair tied back even in a club. This explains to us that she doesnt look like shes trying to impress or attract any one. I think the director did this whole plain look of Trinity to make people see how different women have different qualities. The special effects used in the Matrix lets Trinity seem very heroic. This done through CGI, computer generate imagery. One example of this is when she could jump a long distance, from one building to another. The CGI used in this is demonstrating that gravity has no effect on trinity. Whereas the police men chasing after her didnt even try to imitate trinity because they knew it was impossible. This proves that Trinity has the ability to do skills that men cant do, let alone skills that are ridiculously not possible to humans. Therefore she is superhuman. For instance Trinity uses her own powers instead of using and relying on guns, which is a contrast to the policemen. This gives the viewers an impression that women can be stronger than men. Another way that showed Trinity to be heroic is when Trinity manages to get out of a situation when she was about to give up. By persuading and forcing her to overcome her fear and carry on. This will most likely inspire women all over the worl d to be just like her. On the other hand Sarah is a complete different character to Trinity. This time, Sarah has been shown different in ways that are quite sexiest. Starting of with the soundtrack, this was very gentle in the introduction of Sarah Connor. I think the director did this so that Sarah can come across very innocent and sweet almost like a child. However as the viewer gets into the film the music changes into heart beat sound while Sarah walks outside by herself at night. This gives a tense atmosphere and makes you feel as if something is going to happen. We also get the sense that Sarah feels the same, thats why she went into a night club. Coincidently it has a lot of people in it. The atmosphere in the club was very jumpy. It had fast music and flashing lights which reveals how desperate Sarah might have felt. The fact that she has to go to a club shows she doesnt have enough confidence and the ability to defend herself. Therefore she is exposed to be a helpless victim. However she also sho ws some intelligence because Sarah probably knew that whoevers behind her has a less chance of capturing her in a crowed place. I think the director used the lighting to make Sarah seem even more ladylike. For instance, in one scene as she goes to work the lighting is very bright and sunny. Also the music almost sounds like s harmony. This emphasises Sarahs feminist side. The directors decision of clothing is very such as in her job, the colours used in Sarahs outfits are very feminine. She constantly wears pink for instance the first shot of her is in a soft pink jacket. This gives the impression of Sarah gentle, calm and soft. Her uniform is quite skimpy and pink as well, which is not a unisex colour therefore the job of waiting in a fast food restaurant was often only meant for women also that Sarah doesnt mind. Finally her nightgown has cartoon characters, of the Jetsons, on it. This tells us that she is immature and childlike. Plus she uses a lot of make-up. I know this from a scene where he adds on more make-up no top of the make-up she already has on just because she is going out. The whole image of he was down so that she portrayed as a dome blond. Since this was made in the 1980s I think women were preceded that way. I n Sarahs case no special effects were used this demonstrate that she is ordinary, normal and just like us. However there were different ways in showing what Sarah is like. In the scene where Sarah is in a night club she tries to call someone. I suppose the phone symbolises how scared she is and how frantic she is for help. Also the scene before she goes to work she talks to a statue, this stresses the point that she is very juvenile and babyish. If we compare the two we find out that they both conflict each other. And they both represent their character in different ways, for instance Trinity is shown to be very independent and strong. Such as in a scene a police man is being patronises towards Trinity by saying whats one little girl going to do. This is ironic because later on Trinity manages to defend herself. By attacking about half a dozen police men, which each had a gun, and out run them to. Also in the club scene, when Trinity meets Neo, Neo is shocked to find out that Trinity was actually a girl. This is made known when he says youre Trinity? This is stereotyping Trinitys abilities, which reveals that Neo is quiet sexist, that he thinks only a job like cracking into computers is done by men. Sarahs character can be known in the scene where her boyfriend cancelled on her up but yet she didnt react like an upset girlfriend would do, this shows a weakness to her personality that she is too lenient. It also seems like they both live in parallel worlds. This highlights the point of how the world has changed from 1980 to the 1990s. And how it has grown from women being stereotyped to them gaining the rights they deserve.

Quejarse Conjugation in Spanish, Translation, Examples

Quejarse Conjugation in Spanish, Translation, Examples The Spanish verb  quejarse  means to complain. Quejarse is conjugated as a regular  -ar  verb, like casarse  or  ducharse.  This article includes the conjugations for  quejarse  in the present, past and future indicative, the present and past subjunctive, the imperative, and other verb forms. How to Use Quejarse Although  quejarse  includes the reflexive pronoun  se, it is not a reflexive verb. Instead, it is a pronominal verb. These verbs are always used with the reflexive pronouns (me, te, se, nos os, se), but the reflexive pronoun has no function except to accompany the verb. This means that pronominal verbs like quejarse cannot be used without the reflexive pronouns. For example, to say He complains to his boss, you need to say  Ãƒâ€°l se queja con su jefe,  you would never say  Ãƒ ©l queja, without the pronoun  se. Quejarse Present Indicative For the verb quejarse, remember to always include the reflexive pronoun before the conjugated verb. Yo me quejo I complain Yo me quejo del calor. T te quejas You complain T te quejas del fro. Usted/l/ella se queja You/he/she complains Ella se queja por el mal servicio. Nosotros nos quejamos We complain Nosotros nos quejamos cuando estamos enfermos. Vosotros os quejis You complain Vosotros os quejis con el gerente del restaurante. Ustedes/ellos/ellas se quejan You/they complain Ellos se quejan por cualquier cosa. Quejarse Preterite  Indicative The preterite is one of the two past tenses in Spanish. It is used to talk about completed actions in the past. Yo me quej I complained Yo me quej del calor. T te quejaste You complained T te quejaste del fro. Usted/l/ella se quej You/he/she complained Ella se quej por el mal servicio. Nosotros nos quejamos We complained Nosotros nos quejamos cuando estuvimos enfermos. Vosotros os quejasteis You complained Vosotros os quejasteis con el gerente del restaurante. Ustedes/ellos/ellas se quejaron You/they complained Ellos se quejaron por cualquier cosa. Quejarse  Imperfect  Indicative The other past tense in Spanish is the  imperfect tense, which can be translated as was complaining or used to complain.  The imperfect is used to talk about repeated or ongoing actions in the past. Yo me quejaba I was complaining Yo me quejaba del calor. T te quejabas You were complaining T te quejabas del fro. Usted/l/ella se quejaba You/he/she was complaining Ella se quejaba por el mal servicio. Nosotros nos quejbamos We were complaining Nosotros nos quejbamos cuando estbamos enfermos. Vosotros os quejabais You were complaining Vosotros os quejabais con el gerente del restaurante. Ustedes/ellos/ellas se quejaban You/they were complaining Ellos se quejaban por cualquier cosa. Quejarse Future  Indicative To conjugate the future tense, start with the infinitive of the verb, and add the future tense endings (à ©, s, , emos, à ©is, n). Yo me quejar I will complain Yo me quejar del calor. T te quejars You will complain T te quejars del fro. Usted/l/ella se quejar You/he/she will complain Ella se quejar por el mal servicio. Nosotros nos quejaremos We will complain Nosotros nos quejaremos cuando estemos enfermos. Vosotros os quejaris You will complain Vosotros os quejaris con el gerente del restaurante. Ustedes/ellos/ellas se quejarn You/they will complain Ellos se quejarn por cualquier cosa. Quejarse Periphrastic Future  Indicative In a  periphrastic construction, there are several words that make up a verb form. The periphrastic future is formed with the present tense conjugation of the verb ir (to go), the preposition a,  and the infinitive of the verb. Yo me voy a quejar I am going to complain Yo me voy a quejar del calor. T te vas a quejar You are going to complain T te vas a quejar del fro. Usted/l/ella se va a quejar You/he/she is going to complain Ella se va a quejar por el mal servicio. Nosotros nos vamos a quejar We are going to complain Nosotros nos vamos a quejar cuando estemos enfermos. Vosotros os vais a quejar You are going to complain Vosotros os vais a quejar con el gerente del restaurante. Ustedes/ellos/ellas se van a quejar You/they are going to complain Ellos se van a quejar por cualquier cosa. Quejarse Conditional  Indicative Yo me quejara I would complain Yo me quejara del calor. T te quejaras You would complain T te quejaras del fro. Usted/l/ella se quejara You/he/she would complain Ella se quejara por el mal servicio. Nosotros nos quejaramos We would complain Nosotros nos quejaramos si estuviramos enfermos. Vosotros os quejarais You would complain Vosotros os quejarais con el gerente del restaurante. Ustedes/ellos/ellas se quejaran You/they would complain Ellos se quejaran por cualquier cosa. Quejarse Present Progressive/Gerund Form To form the present participe or gerund  for -ar  verbs, you need the ending -ando.  The present participle can be  used to form progressive verb forms such as the present progressive.   Present Progressive of Quejarse se est quejando She is complaining Ella se est quejando por el mal servicio. Quejarse  Past Participle To form the past participle for -ar  verbs, you need the ending -iendo.  The past participle can be used to form compound tenses, such as the present perfect.   Past Participle of Quejarse se ha quejado  She has complained Ella se ha quejado por el mal servicio. Quejarse Present Subjunctive The  subjunctive mood  is used when a sentence contains  a main clause and a secondary clause with a different subject in each clause, and it communicates doubt, desire, emotion, probabilities, or other subjective situations. Que yo me queje That I complain Julia pide que yo me queje del calor. Que t te quejes That you complain Orlando pide que t te quejes del fro. Que usted/l/ella se queje That you/he/she complain Mayra quiere que ella se queje por el mal servicio. Que nosotros nos quejemos That we complain La enfermera espera que nosotros nos quejemos cuando estemos enfermos. Que vosotros os quejis That you complain Briana pide que vosotros os quejis con el gerente del restaurante. Que ustedes/ellos/ellas se quejen That you/they complain Esteban espera que ellos se quejen por cualquier cosa. Quejarse Imperfect  Subjunctive The imperfect subjunctive  has two different conjugations, which are equally acceptable. Option 1 Que yo me quejara That I complained Julia peda que yo me quejara del calor. Que t te quejaras That you complained Orlando peda que t te quejaras del fro. Que usted/l/ella se quejara That you/he/she complained Mayra quera que ella se quejara por el mal servicio. Que nosotros nos quejramos That we complained La enfermera esperaba que nosotros nos quejramos cuando estbamos enfermos. Que vosotros os quejarais That you complained Briana peda que vosotros os quejarais con el gerente del restaurante. Que ustedes/ellos/ellas se quejaran That you/they complained Esteban esperaba que ellos se quejaran por cualquier cosa. Option 2 Que yo me quejase That I complained Julia peda que yo me quejase del calor. Que t te quejases That you complained Orlando peda que t te quejases del fro. Que usted/l/ella se quejase That you/he/she complained Mayra quera que ella se quejase por el mal servicio. Que nosotros nos quejsemos That we complained La enfermera esperaba que nosotros nos quejsemos cuando estbamos enfermos. Que vosotros os quejaseis That you complained Briana peda que vosotros os quejaseis con el gerente del restaurante. Que ustedes/ellos/ellas se quejasen That you/they complained Esteban esperaba que ellos se quejasen por cualquier cosa. Quejarse Imperative   The imperative mood  is for giving commands or orders. You will notice that the positive and negative commands  are slightly different in the  tà ºÃ‚  and vosotros conjugations. Also, you will notice that the placement of the reflexive pronoun is different in the positive and negative commands. The reflexive pronoun is placed between the  adverb  no  and the verb in negative commands, but it is attached at the end of the verb in positive commands.   Positive Commands T qujate Complain! Qujate del fro! Usted qujese Complain! Qujese por el mal servicio! Nosotros quejmonos Lets complain! Quejmonos cuando estemos enfermos! Vosotros quejaos Complain! Quejaos con el gerente del restaurante! Ustedes qujense Complain! Qujense por cualquier cosa! Negative Commands T no te quejes Dont complain! No te quejes del fro! Usted no se queje Dont complain! No se queje por el mal servicio! Nosotros no nos quejemos Lets not complain! No nos quejemos cuando estemos enfermos! Vosotros no os quejis Dont complain! No os quejis con el gerente del restaurante! Ustedes no se quejen Dont complain! No se quejen por cualquier cosa!